En Plein aire: Art, Picnics and Game Pie

Dejeuner sur l'herbe, 1866,  Monet 1840-1926

 Hard to believe I’ve been away from blogging for a month.  Time does fly.

 I think a gourmet picnic is a great way to get my toes back in the water after my sabbatical. 

The first thing that came into my head when I wanted inspiration for a gourmet picnic was En plein air (which means “in the open air”) and the gorgeous outdoor paintings of Monet, Manet and Sargent.  Having to bring food into the equation made the choice a simple one.  Monet’s 1866 Dejeuner sur l’herbe was the perfect fit.

 

Claude Monet Painting by the edge of a Wood, John Singer Sargent, 1885

One of the reocurring themes in my writing lately has been the impact of new products, inventions and fashions on the way we live,  past and present. En plein air is a perfect example of the way that works.  Taking your paints on the road, so to speak, could only have happened because paint tubes were invented in 1841.  Before then pig bladders or glass syringes were the mode of transport: a nasty mess waiting to happen. 

Artists Sketching in the White Mountains

With the freedom of easily transportable paints came the new French box easel.  Both innovations made it possible to explore the countryside on foot without a cart or an entourage for your supplies. Suddenly everyone was doing it:  artists and amateurs alike could paint whatever landscape struck their fancy or roused their adventurous spirit: the world was theirs to capture in oil or watercolor.

Monet embraced en plein air in an exquisite way after his friend Eugene Boudin  introduced him to the style in 1856.  The painting came just a few years before his flight to England during the Franco Prussian war  in 1870.  That visit resulted in an epiphany when he discovered JMW Turner and his mind-altering canvases that escaped the reality of form and seemed to capture air and light (volcanic activity may have inspired some of his colors… the skies were repainted in startling ways by volcanic ash in the atmosphere that altered sky colors and increased optical phenomena) . 

Rain, Steam and Speed – The Great Western Railway, 1844, JMW Turner

Turner was like a conjuring wizard … he seemed to capture a moment before it fully coalesced into focus or came into being.  Even the composer Claude Debussy said he owed a debt of gratitude to Turner, “the finest creator of mysterious effects in all the world of art.”

Houses of Parliament- Sun breaking through Fog, 1904, Monet

Much of my favorite Monet happened after his introduction to Turner as he grew to perform his own impressionist magic. Viewing those paintings while listening to Debussy is just sublime.

 

Dejeuner sur l'herbe comes before that transformation…otherwise I might never have been able to recognize the subject of my dish –– a game pie!  It appears on the snowy white cloth in the company of a lovely bronze fowl and a joyous tumble of fruit.

Piquenique durante a caçada (hunt picnic), François Lemoyne 172

When I checked on the history of the word picnic… it seems to go back at least to 1723 when it was used in the title of a François Lemoyne painting, Piquenique durante a caçada, that depicted a hunting party settling in to a snack on the muddy ground of the stable yard (odd when they could have dined in the magnificent setting directly behind them!).  I read that picnics became more fashionable when public parks came into being.  By Monet’s time it was quite popular to pack a basket and go into the woods… and to paint the event (thanks to that portable paint kit) –– a proto-snapshot.

Game pies were common for outdoor dining.  They were eaten cold and were a neat way of having a good hefty serving of meat nicely enclosed in a pastry.  They are really a chunkier version of pate, when you think about it and often served with a sweet sauce.

Although my initial thought was to do a good English game pie, I felt I should give a nod to French cuisine given the nationality of the painter and the subject.  No matter how hard I tried, I kept returning to la tourte au canard from the fabled kitchen of Bernard Pacaud’s L’Abroisie.  Housed in a 17^th century townhouse on the Place des Vosges that was originally a royal residence and later the Hotel des Tournelles, the 3 Michelin starred restaurant is notoriously expensive… dinner these days will set you back a $1000.  A little above my pay grade… still, the great thing about a recipe is you can make it yourself for considerably less and that’s what I decided to do.  Although the original recipe was enclosed in puff pastry… I wanted mine to be less fragile so opted for a strong pastry container… suitable for toting around en plein air!  The published recipe didn’t jive with the delirious descriptions of the dish… no juniper which I could see in a photo and was mentioned in a review and no truffles or cepes sauce… soooo.  I added those

It is a very very elegant dish given the ingredients, but would make quite a splash at an outdoor party.   I made a trip to D’Artagnan to collect the goodies, they have everything you need online or in many fine stores in NYC and over the country.  Check online for a retailer near you,  you will want to try this!  Click on the links on the ingredients to order.

I also want to thank Dolly Rosen of Dolly’s Delectable Comestibles in New Jersey.  She is the President of the Northern New Jersey Chapter of the New Jersey Historical Society and a master baker who has studied with my hero, Ivan Day at Historic Food in England.  She has an incredible library of antique cookbooks and generously lent me the form for my pie since mine was MIA. 

I include a recipe for a quick sweet sauce to accompany the pate.  It's made with hascap jam from the wonderful Sarah at All our Fingers in the Pie,  thanks Sarah!! You  can also serve it with cornichons or any pickled vegetables you may have and mustard.

I almost had a complete disaster when I tried to fix a small piece that had fallen off the top crust.  Moving the mold badly made the bottom disconnect and the pie started oozing out the bottom.  I got it back in but it lost it's crisp look.  SOOOO -- be forewarned... use a sheet pan under the pie so it doesn't happen to you!!!

Game Pie serves 6-8 inspired by La tourte au Canard at L’Ambrosie

300 grams(10.5 oz) duck breast

300 grams(10.5 oz) veal tenderloin

300 grams (10.5 oz) pork tenderloin

300 grams (10.5 oz) foie gras

100 grams (3.5 oz) chicken liver

150 grams (5.25 oz) ground pork belly or ground pork

1 egg

¼ t mace

8 juniper berries

1 T truffle butter (optional)

1-2 T rich meat juices from roasting a bird or demi-glace.

s&p

marinade

2 carrots, 2 shallots

1 head garlic

1 sprig thyme

1 bay leaf

100 ml (3.4 oz) port

100ml cognac

pastry recipe

1 pound (4 1/2 - 5 c) flour

6 oz butter

2 oz lard

3 egg yolks

½ c water

1 egg yolk combined with 1 T water for glazing

THE DAY BEFORE:  Cut the duck, pork and veal into 3/4” pieces.  Add the vegetables herbs and liquor and marinate 24 hours in the fridge.

NEXT DAY:  chop the sausage or pork belly with the chicken livers till quite fine.  Add salt and pepper to taste (fry a tiny portion and taste).  Combine with the drained marinated meats, removing the vegetables and 1 egg.  Season the foie gras with salt and pepper.

Line the greased dish with ¾ of the rolled out pastry dough… make sure not to tear it. put ½ the filling in the dish. Lay in the foie gras and then put in the rest of the filling. I had left-over filling that I made into smaller ramekins (that I’ll top with puff pastry and bake later for 30 minutes at 400º).

Cover with dough and use any scraps to make decorations.  Crimp the edges well. Glaze with the egg yolk mixture. Place on a cookie sheet if using a clip mold (or the bottom can come off if you move it!!!!!). Bake at 400º for 20 minutes and 350º for 1 hour to 1 ½ hours or until the interior registers 140 º to 150º.  Check to see if the top is getting too brown… put aluminum foil over the top if it is.  Let rest at least 10 minutes before serving.  Good hot, warm or room temp.  Serve with hascap berry sauce

Haskap Berry Sauce  

1 c hascap berry jam (or blueberry)  

reserved marinade 

2 T mustard.

shallots from marinade

put in a saucepan and cook over low heat for 15 minutes.

Art Nouveau Memories with White Asparagus in Pastry with Tokaji Glazed Custard and Foie Gras

La Fermette Marbeuf at 5 Rue Marbuef

Ah, white asparagus. In Germany it is known as spargel and called the ‘royal vegetable’. It was usually available for only six weeks –– May to the feast of John the Baptist on June 24^{th ,} but new sources have extended the old time frame and made for a longer season—mine came from Peru!  In an article by Amy Rosen, I read that during the cutting time in Germany they eat them a thousand ways and relish every ivory morsel… eating nearly a pound per serving per person.

What to do with a royal vegetable??? The minute I saw the ingredient I knew what I wanted to make.  White asparagus in pastry was one of those indelible taste memories from my past that remained firmly fixed and waiting to be made one day.  This blog is nothing if not an excuse to rekindle glories of past flavors… it isn’t called Lost Past Remembered for nothing.

I had this dish a lifetime ago on an early trip to Paris.  We discovered La Fermette Marbeuf in the 8^th Arrondisment quite by accident on a walk.  Its story is like a fairytale. It was an Art Nouveau wonder that had been covered up for nearly 80 years when the style had become unfashionable. I am mad for Art Nouveau and for long lost treasures found so this was pure magic for me.

“La Construction Moderne” du 5 mars 1898

“La Construction Moderne” du 5 mars 1898

The room sat waiting undisturbed for generations until a new owner discovered it quite by accident while doing renovations in 1978.  It remains a love song to the style and is still a popular place after all this time. The amazing site, Paris 1900 has a splendid history of the place HERE 

It was a whirlwind trip that had me mad with pleasure, crawling over Paris’ Art Nouveau treasures and this dish sits happily ensconced in my brain as a taste of a very great visit:  puff pastry base, white asparagus lacquered with a meat glaze infused with sauterne atop a custard with a bit of foie gras in the bargain… that is how it now lies in my memory at any rate.  Did it  live up to the taste I remember???  Yes ––it was that same ethereal pastry with a thousand crisp layers as delicate as Lalique dragonfly wings that shatter like old glass when you bite into them.  In that bite you taste the sweetness of the wine in the glaze and the warm coverlet of rich creamy custard above and wine-scented foie gras nestled below.  This dish elevates the asparagus to royal stature indeed.

To make it I did my own puff pastry (recipe below) but it would work with bought pastry if you are pressed for time (making your own isn’t hard and much cheaper... even using organic butter!).  However, I must say, the duck fat in the recipe works magic and created an enormous loft thanks to many turns, and I wanted to go the extra mile for this dish… honor the memory.

The 1680 Tokaji is the oldest intact bottle of wine extant

In that spirit, I used Hungarian Esszencia Tokaji  instead of sauterne.  I was lucky enough to have tiny, 100ml bottle of the ’93  from my friends at The Rare Wine Company (Mr. Parker rated it 99… it’s that good… a thick syrup redolent of apricots and celestial nectar).  It’s a wine I’ve wanted to try since reading about it in college in my favorite antique (1932) wine book, The Romance of Wine, where the 1811 was described as having “a wonderful aftertaste that spreads over palate and gullet like a peacock’s tail.  It might be compared, almost without exaggeration, to the harmony of sunset colours.  The bottle can be opened and left indefinitely without apparent injury to the wine which has a radium-like power of emitting particles of perfume without exhausting itself.”  It is probably the most celebrated wine you’ve never heard of  –– but I’m going to change that.

1811 Bottle of Tokaji is supposed to be one of the greatest of all 19^th century wines (this was labeled in the 1920s)

The very informative Tokaji  site said, “Hand-selected botrytis  -affected berries, which are later needed for Aszú preparation, are gathered into a keg and kept in it for a couple of days before the Aszú paste is prepared. Due solely to the berries’ own weight alone, some highly concentrated juice of the finest quality will have accumulated on the bottom of the keg. This is the free-run juice that Essencia is made from. One keg containing 25 kilograms of over-ripe Aszu berries produces only between 1 and 1.5 liters of Essencia.”  It ferments for 4 years and the resulting wine lasts hundreds of years… it was thought to be immortal and have curative benefits.  There was a claim it could restore an invalid to good health! 

Louis XIV

In 1703, Francis the Prince of Transylvania gave some Imperial Tokaji to Louis XIV of France. When Louis shared it with his beloved Madame de Pompadour, he said it was “Wine of Kings, King of Wines” (Vinum Regnum, Rex Vinorum) and the compliment is still repeated. Queen Victoria was a huge fan and Emperor Franz Josef sent her a bottle for every month she lived on her birthday.  The last year of her life she received 972 bottles!  It was a favorite of Beethoven, Lizst, Shubert, and Voltaire.  Napoleon, Gustav of Sweden, Peter the Great and Elizabeth of Russia all were fond of the wine.  Even the infamous enjoyed it… Hitler celebrated his marriage to Eva Braun with Tokaji.  It really is a cool wine with a remarkable story… had to use it for this dish.

The spectacular foie gras,  demiglace and duck fat for the pastry came from D’Artagnan and can be ordered online by clicking the links.  This is one of those dishes that will knock your socks off… I made my dream version but you can put this together easily if you buy puff pastry. It was good hot or warm and could also be made in smaller sizes or doubled for 4.

I used violets and wild garlic chives for a little art nouveau touch to my pastry…

White Asparagus in Puff Pastry with Foie Gras Custard and Ezssencia (or Sauterne) for 2

7” square puff pastry (my recipe made with duck fat (see below) )

20 stems white asparagus (make that 12 if thick)

1/8 lb foie gras  (optional)

1 T butter

3 T Esszencia Tokaiji or sauternes   or sweet Madeira (rare wine has a NY Malmsey that is perfect)

½ c cream

2 egg yolks

pinch of nutmeg

salt and pepper to taste

1/3 c demiglace from D'Artagnan 

2-3 T St Andre or any mild triple crème cheese without the rind.

Peel the asparagus

Steam the Asparagus over boiling water…. 3 minutes and remove.  Cool.

Take the square, cut a 1” frame into the pastry, making sure not to cut all the way through… use a very sharp knife.  Pierce the middle section with a fork all over.  Place a piece of parchment not much bigger than the pastry (if it is too big it drags a side down... like mine did!!) on top and cook for 10 Min at 425º on the upper half of the oven, lower the heat to 375º, remove the paper and cook another 7-10 minutes and remove.  When cooled a little, take out the mid-section if it has risen high in the middle and stick it back in the oven for another 5 minutes to dry out the inside… remember you are going to cook this more so it shouldn’t be dark…. Make sure your oven is accurate.  If it has stayed low (ie the pastry middle has not risen wildly like mine did!), put it back for 5 minutes if it is not a pale gold.

Sauté the foie gras in 1 T butter with a sprinkling of salt and pepper.  Brown on both sides. Add 1 T esszencia or sauterne to the mix and remove.

Reduce the Demi glace to a syrup, about 3 T –– take care, it does get thick quickly after taking a long while to start reducing.  Remove from the heat and add 2 T  Esszencia or sauterne.

Combine 1/2 c cream and 2 egg yolks, pinch nutmeg, pinch salt.

Smear St Andre cheese over warm pastry.  Measure your asparagus to fit into the shell and set aside.

Put foie gras over the bottom of the pastry.

Pour the custard over the foie gras and cook for 10 minutes, remove.

Place the asparagus over the top, cook 10 minutes, remove.  Ladle the demiglas over the top and put in the 375 for 20 minutes or until the custard is set and the asparagus has just begun to brown.

Puff Paste with Duck Fat (this is enough for 4 tarts–– freeze the rest)

Butter layer

1 lb + 3 ½ T (510g) cold unsalted butter

2 t (10 ml Lemon juice

1 c (130g) bread flour

pinch of salt

Dough

3 c (400 g) bread flour (freeze it)

3 ½ T (55g) duck fat, frozen)

2 t Salt

1 c cold water (start with 3/4 and add as needed, you may not need a whole cup)

Mix the butter and the flour and lemon and salt into a paste, make a 6” square and chill on wax paper till firm

Make the dough as you would pasta, knead very sparingly and refrigerate.

Make the dough into a rectangle and put the butter in the center in a diamond... fold the dough around it like an envelope, bringing the 4 outer points to the center of the butter.   If it’s hot, chill. Otherwise roll it to a rectangle and fold it like a brochure and chill ½ an hour. Roll it out and do it again 6 times, resting for ½ an hour in the fridge each time.

I left mine overnight after the last turn and rolled it out the next day.

Announcement:  For the first time since beginning this blog, I am going to take a break for a few weeks.

I will be concentrating on my writing and working hard.  I'll miss the blog and my blogging friends since I will not be able to visit all of my favorites as often as I would like during this time... No distractions!    I'll be back soon, promise!!!


Thanks to Gollum for hosting Foodie Friday!!

Food, Fragrance and Friends with Orange Scented Olive Oil Cake

Tear bottles or lacrymatories (tears of mourners were kept in a bottle and buried with the deceased), Roman, 2^nd -4^th century 

Unguentariums   

The word perfume comes from the Latin, per fumum, meaning by or through smoke and derived from the incense used in ancient religious rites.  I imagine the first perfume appreciated by our ancestors was that of wood smoke, meat and herbs burning in a campfire…  the scent heralded the promise of delicious flavor and a full stomach.

Ancient Greek perfume bottle (This was a very common shape for a perfume bottle… no fooling) 

At the dawn of civilization man created perfume –– as incense that wafted the scent of status and luxury through marble halls –– as perfumed oils to anoint the skin and hair and finally, with the discovery of distillation, as essences distilled from flowers and leaves and roots –– the pure, clear soul could be taken from the plant to serve the perfumer.

The recipe of Tapputi-Belatekallim, the perfumeress (*see it at the end of the post)

It makes sense, doesn’t it?  With civilization came perfume.  Paul Strathern, in his book on chemistry called Medeleyev’s Dream, said that the first named perfumer/chemist was in Mesopotamia ––Tapputi was mentioned in a cuneiform tablet from 1200 BC, she (yes she… the original chemists were women!) distilled flowers, oil and calamus with cyperus, myrrh and balsam to make a perfume with early stills.

Excavation of 4000 year old perfume factory 

 Although it is believed the first perfumes were in Egypt, the oldest perfumes found to date came from a huge perfume factory in Pyrgos, Cyprus, and were 4000 years old.  The bottles contained Lavender, bay, rosemary, pine and coriander.  Distillation with steam and alcohol happened 3,000 years later thanks to the genius of polymath Ibn Sīnā or Avicenna in the West (who also invented the refrigerated coil).

 Greek perfume bottle, 600-550 BC

Back in early history, perfume and food were not divided disciplines as they are now –– there was a very flexible membrane between them. In fact, many substances were on both sides of the fence.  The ancient Egyptian incense Kyphi was made from raisins, cinnamon and honey as well as myrrh, frankincense and sandalwood (**Recipe at end of post). It was found in tombs opened in the 19^th century –– its ghostly scent still emanating from the pottery bowls and bottles after 3000 years.

 Lydian perfume jar, 600-500 BC

The ancient Greeks favored rose, saffron, frankincense, myrrh, violets, spikenard, cinnamon and cedar said David Pybus in The History of Aroma Chemistry.  Many of these were also used in food.  The Romans were particularly fond of roses and bathed in the scent as well as using roses in their cuisine.  In fact Pybus said,  “Rome succumbed to the barbarian hordes, the lights went out in all the incense burners in Europe, and the rose petals went out with the bathwater.”

Roman 1^st century perfume bottle 

After the fall of the Roman Empire, the dark ages began and the world contracted as the connection of Empire dissolved into hundreds of unrelated kingdoms without the benefit of shared knowledge and discoveries (until the Catholic church filled the gap).  David Rowe in Chemistry and Technology of Flavor and Fragrances said “The end result of this was the loss of raw materials and eventually, the knowledge of what to do with them.  The foundations of chemistry were lost into the mysticism of Alchemy.  Some techniques remained in use, especially distillation, but this also became a mystical affair.” Alchemy and perfumery were related crafts. The distillation process for perfume –– turning crude material into scent –– was in the alchemist’s arsenal of techniques used in the search for  the ever-elusive Philosopher’s Stone (Lapis Philosophorum) that turned metal to gold or provided an elixir for eternal life.  Distilling scent was a path from the mundane to the sublime.

 Etrusco-Corinthian 590-580 BC Alabastron Perfume bottle

By the late medieval period, spices and perfumes were used with abandon and scented courts and cathedrals with materials from all over the world… bodies, food, floors and even laundry (the word laundress came from lavenderess and their job of putting lavender to work in the clothes and rooms of their royal masters to scent their lives- Elizabeth I kept a dish of sugared lavender next to her at table and munched on them continually!).

I know this is really a massively simplified history of man and fragrance but I wanted to give you a little context for my next statement… food and scent are naturals together and alchemy and cooking are not such distant relatives – they have just been estranged from their formerly close and mutually beneficial relationship for far too long.

Ambergris

Last year I got it into my head that I needed to taste ambergris.  I saw it in so many antique recipes and I was so curious.  When I read about it, I felt it was a connection to the past through a substance that had been thought of as magic from the beginnings of civilization. First I contacted a brilliant perfume blogger, Elena at Perfume Shrine, to help me understand the properties of this ingredient, then I found the fabled gray stone at Ambergris NZ and fell in love the moment I opened the small black velvet bag.  

Elena, being a kind and generous guide to scent society went one step farther and introduced me to Mandy Aftel at Aftelier –– she had a feeling Mandy would be a wonderful resource since she had developed a line of fragrances for food. Elena was so right –– we met at a lecture Mandy was giving at NYC’s Museum of Natural History.  

Mandy is a true visionary and has opened a door, long closed, to the world of scent and food and drink.  Through her I was able to use incredible roses, jasmine… geranium…so many flowers as well as fantastic herbs and spices in as pure a form as can be found.  These essences have rocked my world.

Through Mandy I have met a great group of perfumers, a perfume blogger and another food blogger and we have taken to meeting once a month to share our interests and passions.  This group includes Lucy Raubertas of  Indie Perfumes, Julianne Zaleta of Herbal Alchemy, Maria McElroy of Aroma M and Rebecca Winzenried of Three Points Kitchen.

This weekend we met and shared sniffs of incredible perfume samples Lucy had brought along and cake… an orange olive oil cake that I had made from a recipe I found at Dennis's great site,  More than a Mountful .  It seemed like the perfect thing to bring for our gathering after making an Aftelier-inspired addition.  Added to the cake was a glaze of Aftelier Neroli essence and some ambergris I’d been brewing in alcohol… the result was sublime… and eating it… well it perfumes your mouth in the best way you can imagine.  For a group of scent hounds… this made up for the 1 ½ hour wait for M Wells in Long Island City.  We baled and went to Brooklyn and ate at the charming Belleville  restaurant in Park Slope.

We then had a dessert course at Julianne’s house consisting of scented prosecco and magical vodkas infused with honey-oatmeal (don't knock it... Dan Barber uses it and it's amazing!), chocolate mint, lemon verbena and angelica. Aside from being a master perfumer,  Julianne is a genius with infused vodkas so these were truly spectacular creations.

Aftelier Chef's Essences

I can’t say enough about what Aftelier chef’s essences  will do for your cooking and your cocktails.   I can tell you to vote for her perfumes for the Fifi Awards   for  her romantic Honey Blossom  perfume starting on the 25th to reward her perseverance in hunting out the very best ingredients to enrich her perfumes and your food and drink.    The alliance between food and fragrance has been re-established… long may it live and prosper!

Orange-Rosemary Olive oil Cake based on a cake from More than a Mountful

1 ½ c flour

1 cup sugar

1 t baking soda

½ t baking powder

½ t salt

3 large eggs

6 oz buttermilk or yogurt

½ extra virgin olive oil

1 T chopped rosemary

pinch of saffron

½ c powdered sugar, sifted

juice of 1 orange ( I used a blood orange–– but it turns dark on the cake like magic... perhaps stick with regular orange!)

1-3 drops neroli or petitgrain (optional)

a few gratings of ambergris -- from Ambergris Co NZ (optional)

 Take 2 T of the olive oil and warm, add the saffron and let soak for ½ an hour.  Sift the dry ingredients together.  Mix the liquid ingredients together thoroughly, adding the saffron oil and rosemary.  Combine the liquid and he dry gently and pour into a 9” olive oiled pan.

Cook at 350º for 25- 35 minutes… check frequently.  The cake is ready when a toothpick inserted in the center comes out clean.

Remove the cake and let it cool.  Remove gently from the pan.  Stick it with a toothpick many times.  Combine the glaze ingredients and pour over the cake, you can make extra and serve it with each slice… it’s that good… you’ll probably want to.

The texture is insanely good at this point, like an orange cloud.  It is best served shortly after cooking although it is great the next day too.  It will perfume your mouth in a remarkable way.

Making Lily Perfume

*Following is a description of  Tapputi-Belatekallim's preparation, from M. Levey's ""Early

Arabic Pharmacology".

"If you prepare flowers, oil, and calamus as a salve, and you have tested

the flowers [of the calamus and its green parts], you set up ... a

distillatory.  You put good potable water ... [into a hariu pot].  You heat

tabilu and put it in.  You put 1 qa (about half a litre) hamimu, 1 qa

iaruttu, 1 qa of good, filtered myrrh into the hariu pot.  Your standard in

this is the water taken and divided.  You operate at the end of the day and

the evening.  It remains overnight.  It becomes steeped.  You filter this

solution ... with a filter cloth into a hirsu pot at dawn, on the rising of

the sun.  You clarify from this hirsu pot into another hirsu pot.  You

discard the residue.

You use 3 qa of purified 'Cyperus' [species unknown] in the solution with

the aromatics.  Discard the inferior material.  You put 3 qa myrrh, 2 qa

pressed and filtered calamus in the solution with these aromatics in a

hirsu pot.  You measure 40 qa of this solution which remained overnight

with the aromatics ... 1 1/2 pure gullu ... two beakers ... small beakers

... You filter ... kanaktu in a sieve.  You decant oil in the hariu pot ...

in the solution.

[You rub that which was with the solution overnight.]  [You examine] the

comminuted material.  You remove [its bad part].  You filter this solution

which [you clarified into a distillatory] ... 3 qa ... [You throw] ...

balsam into this solution in [a hirsu pot].  [You kindle a fire].  When the

solution is heated for admixture, [you pour in the oil].  You agitate with

a stirrer.

[When the oil, solution, and aromatics] continue to dissolve, [you raise]

the fire... You cover the distillatory on top.  [You cool] with [water].

When the sun [rises], [you prepare] a [container for]the oil, solution, and

aromatics.  You allow the fire under the distillatory to die down.  You

remove the distilled and sublimed substances from [the trough of the

distillatory ...].

When the sun [rises], [if] they continue to dissolve in one another and

[the fire rises], you cover the [top] of the distillatory.  You cool.  You

prepare a flask for the calamus oil.  You put a filter cloth over the

flask.  You filter the oil with a filter cloth into the flask.  You remove

the dregs and residue left in the distillatory.

This is the preparation of flowers, oil, and calamus for [salve] for the

king according to the recipe of Tapputi-Belatekallim, the perfumeress.

The twentieth of Muhur-ilani, Limmu of Qatnu-gardu".

(This would be approx 1200 BCE).

Perfume Seller

Kyphi Recipes, cooked in honey

Papyrus Ebers 1500 BC
Honey
Frankincense (antiu)
Mastic
Genen (Sweet Flag)
Pine Kernels
Cyperus Grass
Camel Grass
Inektun
Cinnamon

Edfu Temple 100 BC
Raisins
Wine
Honey
Frankincense
Myrrh
Mastic
Pine Resin
Sweet Flag
Aspalathos
Camel Grass
Mint
Cyperus
Juniper Berries
Pine Kernels
Peker
Cinnamon

Thanks to Gollum for hosting Foodie Friday!!